Sometimes people don’t seem to understand why/how there is so much for me to think about. It’s like, once you’ve drawn a conclusion - which I seem to have (i.e., there is no objective truth in anything at all, and reality IS exactly what you perceive through belief subjectively) - what’s the point of continuing with all this theorizing of reality? What’s the point of theory if it’s just that? Where does it ever get you?
Well, I think I have two answers to these questions that aren’t really related: 1. It’s not as if I’m after some sort of answer (as I’ve mentioned over and over again), I just like becoming immersed in the process of it, thought. The product is always secondary if of any importance at all. It’s like art. 2. It’s not as if I can’t see reality in the “normal” not bewildered state that most people seem to see it, it’s kind of like a search for any possible reason at all to live in a reality, to morph my reality to something that is completely detached from “ordinary unquestioning perception”. It’s like a vessel, like an escape. From whatever reasons, I cannot stay put in “reality”.
I will elaborate:
1. I think I have come to believe that philosophy in the academic sense is terribly boring and rather meaningless. I cannot read “philosophy”* even though I guess you would classify what I write as philosophy wouldn’t you? Maybe I should just give it a different name. I’ll just call it theory. Theorizing. I am a theorist. That is what I’ll say I do.
I would like to speak of philosophy as a medium and compare it with a set of watercolors. Academic philosophy is like when you focus on all the techniques of painting and try to figure out and argue which techniques are better and which will allow you to paint the best picture of the universe and such. Theorizing (what I’m calling it) would be like just painting freely and losing it and not caring, just going with it for the sake of it just because the process is so incredibly captivating, and then ending up with some sort of picture of the universe that happens to be amazing anyways. Yes, you see the clear bias from my words, but I’m not arguing that academic philosophy is objectively meaningless. I don’t want to argue or “prove” anything. That has no point to me. It’s just my view on art. I do not think the former use of watercolors is what art is, and to me theory is an art where the medium is reality itself.
I think a great many people paint for the sake of perfection of skill and satisfaction in the production of a precise painting, but I don’t think that is what artists do. It seems strange to go and ask an experienced artist “Why do you paint?” “What is the point of continuing with painting if you already have such skill and have decided which techniques are your preferred?” “Where does painting ever get you?” So why should you ask me the same questions when reality is my set of paints? Don’t you understand the point of painting at all? Haven’t you ever painted anything yourself? Do you not know/can you not relate to what it feels like to paint?
I fear I have already presented myself as a terrible romanticist, but it pains me to think about how much the world (of artists) is missing out on the unbelievably extraordinary medium of reality. Talk of creativity - paints, pencils, music, words, whatever, those are just media, as is reality. But what is reality? With what could you possibly create with more freedom, more space for vision, more enchantment, wonder, than with the manipulation of reality itself?! How could anyone not realize!?
And then you would probably say, “What do you mean “manipulation” of reality? You can’t just change reality the way you create whatever you want on paper when you paint with watercolors.” But you would be missing the point! You can manipulate reality though! That’s what you do all the time! And I am NOT talking about it as if it were some sort of figurative thing. It is absolutely LITERAL!!*** (also see: reality the strange loop) You change reality into exactly what you (at the present moment) believe it is**. That is your creation. It is your work of art, just like everything else.
And how could I not be constantly addicted to this most inordinately immense field of freely floating imagination? Where would you possibly find more room for imagination than in the state of reality itself? This is infuriating! It’s like the most enjoyably possible explosion of my brain and my mind. It’s like, “Ughhhhhhhhhh, I can’t! All I can do is stare..”
But anyhow, this is why I don’t especially enjoy reading academic philosophy, academic “reality”. It’s like painters and painters painting so many paintings and for the primary purpose of presenting their painting as THE painting of the universe. That is absurd. It’s a painting. We enjoy its distinct aesthetic profoundly, but not nearly its attempt at persuasion. There is no “best” painting. The act of “comparison” based on subjective perceptions is bizarre. There are only paintings, all marvelous, magnificent, magical, each and every single one. That is why you keep on looking, living more paintings. Why would you just stop at one?
//Part 2 to be continued…//
*Most if not all of it angers/infuriates me. I cannot handle the restricted/narrow-mindedness of it. Can’t you at least leave your human mind behind first before you start floating in theory?
**This is why the inverted spectrum applied to perception of present moment time create a whole convoluted “mess” of overlapping realities assuming that other minds do exist, and other “realities” of all different natures would exist at the same instances in time (in space?). How? What?
***But of course - this is my universe, and this is what I believe. (And yes, of course it’s circular? What isn’t? What’s wrong with circularity? What’s not wrong about being non-circular?)